Hollywood and Catholic Women:
Virgins, Whores, Mothers, and Other Images
by Kathryn Schleich
Hollywood and Catholic Women is one of the texts being used in the Religious Women in Film course being taught at the University of South Carolina, in the Department of Religious Studies for Fall 2007. This is exactly what I had in mind when I wrote the book - to expand perceptions and knowledge of how Catholic women are portrayed in film. The second goal is to encourage others to engage in new research on a fascinating and important topic.
Hollywood and Catholic Women provides an intriguing
look into the portrayal of Catholic women in American film.
For an excerpt
from Hollywood and Catholic Women, click on Excerpt.
Book Description
For years, actresses have been commenting on the dearth of
interesting movie roles for women. Virgins or vamps, but few
women of depth, few complicated women with conflicting emotions
or moral uncertainty. Author Kathryn Schleich wondered why
women in Hollywood have so few choices.
As an adult convert to Catholicism, Schleich
was introduced to the equally patriarchal hierarchy of the
Catholic Church. Seeing the reality of Catholic women being
barred from full participation in so many of the important,
meaningful practices of the Church, Schleich again asked,
“Why?”
So, in the same way someone put peanut butter
and chocolate together in one bite-sized package, Hollywood
and Catholic Women: Virgins, Whores, Mothers, and Other Images
was born.
Why should a group of nuns who have escaped
East Germany need the help of a wandering handyman to build
a chapel? How is it that the brutal murder of a whore can
trigger the redemption of an ambitious priest? And why can’t
Ingrid Bergman and Bing Crosby live the religious life, side
by side, happily ever after? Both entertaining and insightful, Hollywood and Catholic Women addresses important questions
about women in the Church and women in Hollywood and should
spark lively debate.
Kathryn Schleich discovered her passion for
writing in her teens and has been published both regionally
and nationally. Her interest in the portrayal of women in
the media, her love of film, and conversion to Catholicism
as an adult were the impetus for this work.
For
an excerpt from Hollywood and Catholic Women, click
on Excerpt.
Hollywood
and Catholic Women: Virgins, Whores, Mothers, and Other
Images; Format: Paperback; Size : 6 x 9; Pages: 126;
ISBN: 0-595-30303-X; Published: 11/03; Price: $13.95
US, $18.95 Canada
Purchase
the Book
Hollywood and
Catholic Women may be purchased directly through iUniverse
by calling 1-877-823-9235 for Customer Service. The book may
also be purchased off the web site at www.iuniverse.com.
Once on the site, enter Hollywood and Catholic Women
in a title search or the ISBN number and follow the purchase
instructions.
If you know of
others who are interested in the topic, please tell them about
Hollywood and Catholic Women. Thank you for your interest
and enjoy!
If
you’ve read Hollywood and Catholic Women and would
like to comment send us an e-mail via kathrynschlei777@yahoo.com
and tell us what
you think.
Reviews
Meticulously deconstructing female roles in movies
Rated Five out of five stars by Midwest Book Reviews
"Knowledgeably written by Kathryn Schleich (an adult convert to Catholicism), Hollywood And Catholic Women: Virgins, Whores, Mothers, And Other Images blends two seemingly disjoint questions into a thoughtfully reasoned whole: "Why do Hollywood roles for women tend to typecast them as virgins or vamps, with little depth or complexity?"; and "Why are Catholic women to this day restricted from full participation in many meaningful practices of the Church?". Deftly exploring the history of how women have been perceived in Catholicism, and meticulously deconstructing female roles in movies such as "The Song of Bernadette", "True Confessions", "Sister Act", "Dogma", and others, Hollywood And Catholic Women is a unique, thoughtful, and thought-provoking survey and commentary of institutionalized of Catholicism and Hollywood studio perspectives with respect to and its lasting impact upon the female gender."
Bookviews
by Alan Caruba, April 2004
"Another book about women is so unique that it deserves
notice. It is Kathryn Schleich’s Hollywood and Catholic
Women: Virgins, Whores, Mothers and Other Images (iUniverse).
The author examines how the Church has dealt with women throughout
its long history and how Hollywood has adopted its point of
view in films such as Song of Bernadette, The Bells of
St. Mary’s, A Nun’s Story, Agnes of God,
and even Sister Act, to name just a few of those
examined for their content and their message. You don’t
need to be Catholic to enjoy this intellectual journey and
I think any woman will find it resonates with her life."
This
book is now recommended among our Featured Books.
"Kathryn Schleich's well-researched and highly readable analysis of how Catholic women are portrayed in film should be a requirement for any serious student of either women's issues or film or even the role of religion as it relates to society. It contains a wealth of information and insight and draws a very interesting relationship between the static patriarchy of the Catholic church and the male-dominated Hollywood production system.
"Schleich presents a helpful glossary for non-Catholics and a useful overview of how women historically have been treated by the Catholic church with special attention paid to the impact -- or lack of same -- of the Second Vatican Council. Thus prepared the reader is then taken through 15 films (seven which Schleich refers to as of the clerical/religious genre and eight of the non-clerical/religious genre), given a brief synopsis of each film and then the author's intelligent analysis of the role of women and the church within each film.
"Discussing such issues as the archetypal roles the church has assigned to women, the virgin-whore dichotomy, and the legitimacy of a male institution making decisions about women's lives, the author shows how these concerns and more play out both in the church in reality and in the movies as fiction.
"An intriguing selection of films is made from the obvious (The Bells of St. Mary's and The Nun's Story) to the less obvious (Looking for Mr. Goodbar and Return to Me) to the truly inspired (Dogma). One just wishes she had included more. Personally I'd love to know her analysis of Household Saints or The Crime of Padre Amaro but perhaps there is a volume two already brewing in the author's mind. Let's hope so."
Beverley Buehrer has been a freelance writer since 1980
authoring numerous articles on film and history. She also
is a contributing writer to Magill’s Cinema Annual and has published three books on film (Cary Grant: a
Bio-bibliography, Boris Karloff: a Bio-bibliography,
and Japanese Films). In addition to her many writings
covering cinema, Buehrer is an instructor at Kishwaukee
College where she teaches philosophy and history, as well
as Continuing Education courses on writing and film.
This was very interesting, even for a non-Catholic. It certainly sparked some lively conversation--okay, arguments, really--but always intellectually challenging and never resolved. In these troubling political times, it seems wise to revisit the place of women in strict, male-dominated hierarchies, or, more accurately, oligarchies. The lessons of Hollywood and Catholic Women should remind us all of how precarious women's gains are, how easily stripped of rights and responsibilities we may be by a handful of powerful men who think they know what's best for us all. Christine, Minneapolis, MN
When I first started reading the book my interest waned considerably as I thought that the overriding theme was overdone in a chauvinistic manner, along with a little paranoia as it related to the treatment of Catholic women, and women in general. In any event, I continued reading the book until I seriously became interested. The first chapter or two were difficult for me to understand and appreciate, and I can only say that I was glad that I got over that initial negative reaction. All in all, great book!
Jerry, Lincoln, NE
Thanks to Kathryn Schleich for not holding
any punches at the patriarchy – wherever it shows its harmful
face. I was not surprised that Hollywood mirrors the Church
patriarchy’s treatment of women. Neither was I surprised at
my disappointment in Hollywood’s failure to reflect the changes
feminist Catholics have created in pews, schools, and communities
around the world. I was delighted, however, at the insight
and thought Schleich’s book shines on the contrast.
Kay, Minneapolis, MN
Kathryn
Schleich © 2009
10220 Country Club Curve
Woodbury, MN 55129
kathrynschlei777@yahoo.com
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